I can't find videos to embed from youtube other than this glimpse into the recording process, but the whole album is at the bandcamp site here. These recordings (which I don't play on, for the record) are intense, emotional, and overwhelmingly beautiful. It was (is?) fronted by Mark Edwards of My Dad Is Dead and it is an AWESOME band. I was in this band briefly after the original guitarist Zeno Gill left. Secular Joy - Made For Better Things (2012). These are two excellent lo-fi fuzz-pop basement albums by my pal Michael. The Secret Intentions - Don't Fight It, Feel It (2001) and Love's Permutations (2002). The one on this album is a little more Ramonesy. They have a new incarnation, which is the one appearing in the video below. Freakin' excellent heart-on-its-sleeve indie-punk from a band fronted by my pal Lisa. Secret Crush Society - Baltimore Chapter (2005). My musical tastes are based in the indie rock of the early 90s. And no Bakesale! Not sure how that happened. I have a hard time believing that I only have two Sebadoh albums, too. The best track is the one they used as a theme for the opening credits. I wasn't that crazy about the anime or its soundtrack, but I somehow ended up with this. The Seatbelts - Cowboy Bebop Boxed Set (2002). They're not quite as fantastic as Tortoise, but that's a pretty high bar. Excellent fake jazz outfit from the John McEntire wing of the Chicago mafia with Sam Prekop of Shrimp Boat out front. The Sea And Cake - The Fawn (1997) and Oui (2000). That said, these are excellent albums, and Pernice's songwriting chops are in great form. Joe Pernice's alt-country band is more of a mopey, Smith-influenced guitar pop band with country flourishes. Proto-funk and soul as the summer of love came crashing down.The Scud Mountain Boys - The Early Year: Pine Box/Dance The Night Away (1995) and Massachusetts (1996). Say what you want, but this record is a dance party just waiting to happen. The two surviving members, larry dodson and james alexander (father of hip hop producer phalon alexander aka jazzy pha), would reform the band and continue in the work that they had originally started.īy 1969 they were back in full swing, backing isaac hayes on his legendary hot buttered soul lp, and of course their own little masterpiece that is, soul finger. 10, 1967 all but two members boarded otis redding’s plane along with otis and his manager and set off into the night never to be heard from again. sadly things did not work out as well as they should have, and on dec. Starting out as the session musicians for the legendary roster of the stax/volt label, they would be given the opportunity to dazzle the world with their proto-funk grooves when otis redding choose them to be his backing band as he set out to tour in the winter of 1967. Formed in 1966, the bar-kays would have a tricky history,
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